鍾興民
Baby-C (鍾興民), Yannick Barman (Yannick Barman)
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14:47
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2Baby-C (鍾興民), Yannick Barman (Yannick Barman)4:37
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3Baby-C (鍾興民), Yannick Barman (Yannick Barman)4:21
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4Baby-C (鍾興民), Yannick Barman (Yannick Barman)4:20
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5Baby-C (鍾興民), Yannick Barman (Yannick Barman)3:45
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6Baby-C (鍾興民), Yannick Barman (Yannick Barman)4:38
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7Baby-C (鍾興民), Yannick Barman (Yannick Barman)3:32
7 首歌曲
銅管樂器一直以來都是東方人的遺憾，因為生理構造的不同。國中三年級開始接觸小號（我只能是753等級的程度）、心中也一直有個不敢相信會實現的願望，就是做一張小號的專輯，幸好認識了Yannick，幫我完成了這張專輯。
感謝所有樂手的參與，金木義則，吳政君，鍾漢、弦樂老師們曜爆甘、錄音師孫紹庭、幕後所有的工作伙伴，沒有你們就不會有這張專輯的誕生、感謝。
It’s with regret that when the Asians plays the brass instrument, because of the physiological structure.
I’ve started to learn playing the trumpet since I was a ninth grader. (I was only able to play for the funerals.)
There was a dream buried in my mind and I didn’t dare to think about the dream come which is to compose for a trumpet album. Fortunately, Yannick made my dream come true.
Thanks to all musicians for their participation, Kaneki Yoshinori, Alex Wu, Han Chung, and all the string orchestra by Just Busy Music Studio, recording engineer Shao-Ting Sun, and all the staffs. This album would never come out without you. Thanks a lot!
Yannick Barman：
能在專輯中加入弦樂是個難能可貴的機會，也實現了我的夢想。這張專輯介於爵士與古典之間，充滿美妙的旋律和令人驚艷的節奏。 這也是一場漫遊在現代與傳統之間的旅程。 將弦樂加入樂曲創作中是一項新的挑戰，也是個非常振奮人心的工作。 我希望找到簡單但細膩的旋律線條，豐富柔和的聲響，具有強烈的個性同時保有足夠的靈活與彈性，以此為創作留出空間，帶領作品到達一個全新的維度。
Making an album with strings is a rare opportunity and a dream come true. This album is on the border between jazz and classical music, magnificent melodies and surprising rhythms. It is also a journey between moderism and tradition. Composing melodies that would then be arranged for a string orchestra was a new challenge and very inspiring work. I wanted to find simple but sophisticated lines, rich and soft chords with a strong personality but enough flexibility to leave room for creative arrangements that take them to a new dimension.