十鼓擊樂團
十鼓擊樂團
-
111:29
-
29:56
-
38:10
-
49:14
-
510:08
-
610:11
-
713:00
7 songs
由受葛莱美奖/美国独立音乐奖/金曲奖肯定团队演奏，跨国邀约美国葛莱美录音师：卡文山德兰·亚历山大、纽西兰后制师：赖瑞·艾略特。
〝道〞不是没有答案，只是每一个人的答案不一样
〝道〞不是没有终点，只是每一个人的终点不一样
“Tao” is not unanswerable, but everyone has a different answer.
“Tao” is not endless, but everyone has a different destination.
‘道’～用鼓乐及音乐谱写出心里想像中‘道’的乐章，用现代与传统跨时空的对话，以有如原子、核子、氢子般能量的分裂式放射开来，对映混元、太极、四象、六合、八卦、无极并伴随宇宙间五行等自然元素，探索老庄智慧并呈现在作品之中。是一种包容力、尊重、思想解放的智慧，就像水一样没有框架，低调沉默的存在宇宙中。
所有曲目名称及介绍：
1. 太极(二重奏): 11:28
以二为形体，内显为阴阳的对照兴衰，外显为日、月的能量交替，祸福相倚，生死相对。刚柔并济，体现为抽象的一种对话。
Tai Chi (Duet):
Tai Chi is created upon the form of duality. The inner expression takes form in the rise and fall of Yin and Yang, while the outer expression takes form in the energy rotation between the Sun and the Moon, the fortune and the misfortune, as well as life and death. The coexistence of strength and gentleness forms an abstract dialogue.
2. 四象(四重奏): 09:55
一分为太极，再分为四象，代表了宇宙间的四处空间，也代表了十字中心所散发的力量。以四重击奏划破了时与空，感受出音乐所呈现的四象画面。
Si Xiang/Four Phenomena (Quartet):
The oneness splits into Tai Chi and then Si Xiang, which represents spaces of the universe and the energy generating from the center of a cross. In this musical creation, percussion quartet pierces through time and spaces, presenting the image of Si Xiang through music.
3. 六合(六重奏): 08:09
四象再分先是六合，是五行的接续，如同上、下、左、右、前、后，六个角度、六个面象。如X、Y之后的Z轴成形，转化了宇宙万物形体，也移象了思想、执着，让答案不再是平面的而是立体的。
Liu Ho/Six Harmonies (Sextet):
Si Xiang splits into Liu Ho, which is a continuance of Wu Xing, and includes up and down, right and left, front and rear, a total of six angles and six spaces. Like the formation of Z axis following X-Y axis, it transforms everything in the universe, including thoughts and senses of attachment; answers are no longer on flat surfaces but become three-dimensional.
4. 八卦(八重奏): 09:13
六合再分即为八卦，以十字加十字的米字为形体，代表了四象核心的双倍力量，也代表了四度空间的幻化。既对应又神秘，是宇宙方位的结晶也是缩影。
Ba Gua/Eight Trigrams (Octet):
Liu Ho splits into Ba Gua and the character米combines two crosses to represent double energy of the core of Si Xiang and the transformation of four-dimensional space. Corresponding and mysterious, it is the crystallization and microcosm of the directions of the universe.
5. 无极(合奏): 10:08
将时与空切割至极即为无极，他并非八卦的再分即可达到的境界，象征的是一个追寻探讨的极端，没有终点也没有答案，他所散发的能量及空间已是八卦的亿万倍，只是一个方向，永无止境。
Wu Ji/Infinite (Ensemble):
Dividing space and time to an ultimate point becomes Wu Ji. It is not created by splitting Ba Gua but symbolizes the ultimate point in pursuit and discussion, where there is neither a finishing point nor answers. The energy and space that it generates is hundreds of million times of Ba Gua. It is a direction that is boundless and infinite.
6. 混元(独奏): 10:10
以万物成形前的意境及初始为创作，象征太初形成一的前序。似有似无的开端代表了一的动机及前兆。
Hun Yuan (Solo):
Created upon the conception and the origin before the development of everything to symbolize the prelude of the formation of oneness. The intangible start represents the motivation and the omen of the oneness.
7. 五行(合奏): 12:59
五行代表的是四象与六合的分水岭，五行的曲目概念来自大自然界中的火、金、水、木、土所构成，另以风来引导全曲的开头及结尾。有感于火及五行的无常，创作这既简单却又深厚的节奏对位。全曲由五大节奏重音组构成，并由排鼓及铝片琴贯串全曲。曲中穿插有五行的自然元素与现代文明的对话，乐曲终段有五行交融的大自然浩瀚及传统兼具抽象的听觉诗画。
Wu Xing/Five Elements (Ensemble):
Wu Xing is the dividing line of Si Xiang and Liu Ho. The creative concept of this Wu Xing musical piece comes from fire, water, metal, wood and earth in the nature while “wind” is used to guide the beginning and ending of the entire piece. Considering the impermanence of fire and Wu Xing, the composer creates this simple yet deep counterpoint rhythm. The whole piece consists of five rhythmical accents with paigu drum and vibraphone running through it. The creation is sprinkled with conversations between modern civilization and the natural elements of Wu Xing. Toward the end of the composition, the blended five elements present the vastness of nature as well as traditional, abstract poetry and painting for the hearing sensation.